Ferrari: Under The Skin opens at Design Museum

‘If you can dream it, you can do it,’ said Enzo Ferrari famously. His is a fascinating story and a brand built entirely on passion and determination. Enzo, in the midst of post-war austerity in Italy, and against all odds, set out to conceive a company that creates pure and efficient sports and race cars, incredible examples of industrial design and objects of great beauty. According to Sir Terence Conran: ‘We have all at some... Read More

Futura: The Typeface placed type in the context of design history

The Nazis hated Futura. They deemed the typeface as too radical – subversive even. Members of Bauhaus embraced it for its radicalism, and it came to be associated with the movement from 1919 through to 1933, when the school was forced to close and its members dispersed around the world. Futura: the Typeface examines the fascinating story of this popular type. Published this month by Laurence King, the book taps into a new movement in exploring... Read More

Exhibition – Opera: Passion, Power and Politics

Opera requires gauze to be wrapped around the imagination. It is hoped that the power of music and that most versatile of all instruments, the human voice, helped along by the magic of lighting and design could help penetrate that gauze. So, it was with some trepidation that I went along to the preview of ‘Opera: Passion, Power and Politics’ at the Victoria and Albert museum in London. How do they convey that artful magic, which depends on... Read More

La Vita Campari tells the story of Campari

Davide Campari was a fascinating character. In the early years of the 20th century the company heir set out to explore the potentials of art and ideas in creating a strong, global brand. Eschewing conventions, he joined Milan’s artistic circles, becoming intimately linked with the avant-garde who helped create product design such as the brilliant Campari Soda bottle, daring poster art and advertising – design that were hugely radical... Read More

Highlights of London Design Festival 2017

The creative industries are worth close to £90bn a year to the economy, offering some three million jobs here. It is a ‘serious, big, wealth-earning and reputation-enhancing’ sector, Sir John Sorrell told the Financial Times this weekend. These numbers came back to me as the London Design Festival (16-24 September) kicked off bringing colour and creativity to pockets of this dynamic city. In its fifteenth year, LDF is expecting some 350,000... Read More

New book documents the history of type

Type has existed since the dawn of printing. Wood was used as a material for some larger fonts during the nineteenth-century, but in general fonts would be cast in lead alloys. The mechanisation of typesetting in the 1890s allowed for continuous casting, which remained widespread until the 1970s. Since, digital type has been the more dominant form. A new book by Laurence King The Visual History of Type is exploring the history from its advent... Read More

The world of Enzo Ferrari explored in new exhibition

As Ferrari turns 70, the Design Museum in London is planning ‘Ferrari: Under the Skin’ (15 November 2017 and run to 15 April 2018) to celebrates the life and work of the visionary founder Enzo Ferrari and the company he set out to create in 1947 based purely on his passion for motor racing and his mission to make the world’s most alluring performance machines. Read the full story here. #gallery-7 { margin: auto; } #gallery-7... Read More

The new V&A Exhibition Road Quarter in picture

Last night saw the opening of V&A Exhibition Road Quarter – the much-anticipated new addition to my favourite London gallery. The work of Amanda Levete and her architecture practice AL_A, it includes a dramatic entrance onto Exhibition Road, and an impressive courtyard that celebrates the V&A’s storied past. New spaces for exhibitions include the Sainsbury Gallery, Sackler Courtyard and Blavatnik Hall. The scheme has taken... Read More

Learning from the exotic Lamborghini Countach

A couple of years ago, whilst researching our book The Life Negroni, I asked Adrian van Hooydonk what is his favourite car design of all time. The BMW creative boss immediately responded: Marcello Gandini’s Lamborghini Countach. Of course he would, for this 1970s icon is too gloriously exotic for words. Here in an interview, the Lamborghini design director Mitja Borkert tells me the Countach remains a great informer of the Italian supercar... Read More

Radical design: Creatives at the frontline for change

Bertolt Brecht wrote: ‘Art is not a mirror held up to reality but a hammer with which to shape it.’ I grew up surrounded by politics. Raised in Iran at the height of its turbulent years, it was impossible not to be. Later, as an adolescent cocooned in the sanctuary of Europe, I rejected it all for I saw my life in the creative world where politics, seemingly, had little relevance. Now, as Europe peddles into the deep dark waters of... Read More

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