London Design Festival highlights at the V&A

The London creative season is in full swing with London Design Biennale at Somerset House and London Design Festival spread to almost every corner of this great city. The hub at the V&A is possibly the best place to get a feel for the more conceptual work. The festival is celebrating its sixteenth birthday as well as its tenth year collaborating with the museum. For... Read More

Designed in the USSR: 1950-1989

Soviet design at its peak between 1950 to 1989 was dynamic, different and complex. On the one side were consumer and domestic products for daily use. Then there was a rather more controlled side to design directed by the state which impacted on advertising, film posters and educational literature. The Soviet Union’s isolation helped create a bit of a design bubble, yet... Read More

Design Museum opens Hope to Nope, Graphics and Politics

I witness the global financial crash, enter the Arab Spring, observe Barak Obama’s vibrant presidential years, then Trump’s messy aftershock – sit in support of demonstrators in the Occupy movement and Deepwater Horizon oil spill, feel the shock and horror of the Charlie Hebdo attack and face the tragedy that is Brexit. The lack of windows and natural light in the... Read More

Futura: The Typeface placed type in the context of design history

The Nazis hated Futura. They deemed the typeface as too radical – subversive even. Members of Bauhaus embraced it for its radicalism, and it came to be associated with the movement from 1919 through to 1933, when the school was forced to close and its members dispersed around the world. Futura: the Typeface examines the fascinating story of this popular type. Published... Read More

La Vita Campari tells the story of Campari

Davide Campari was a fascinating character. In the early years of the 20th century the company heir set out to explore the potentials of art and ideas in creating a strong, global brand. Eschewing conventions, he joined Milan’s artistic circles, becoming intimately linked with the avant-garde who helped create product design such as the brilliant Campari Soda bottle,... Read More

Highlights of London Design Festival 2017

The creative industries are worth close to £90bn a year to the economy, offering some three million jobs here. It is a ‘serious, big, wealth-earning and reputation-enhancing’ sector, Sir John Sorrell told the Financial Times this weekend. These numbers came back to me as the London Design Festival (16-24 September) kicked off bringing colour and creativity to pockets of... Read More

Design Museum announces Beazley Designs of the Year shortlist

Pokemon Go, Kanye West clothing and the Olympic Refugee Flag are some of the creative ideas nominated by the Design Museum for the tenth annual Beazley Designs of the Year awards. The shortlist announced today include a sports hijab designed by Nike and David Adjaye’s National Museum of African American History and Culture in Washington D.C. A year of political unrest,... Read More

New book documents the history of type

Type has existed since the dawn of printing. Wood was used as a material for some larger fonts during the nineteenth-century, but in general fonts would be cast in lead alloys. The mechanisation of typesetting in the 1890s allowed for continuous casting, which remained widespread until the 1970s. Since, digital type has been the more dominant form. A new book by Laurence King The... Read More

The new V&A Exhibition Road Quarter in picture

Last night saw the opening of V&A Exhibition Road Quarter – the much-anticipated new addition to my favourite London gallery. The work of Amanda Levete and her architecture practice AL_A, it includes a dramatic entrance onto Exhibition Road, and an impressive courtyard that celebrates the V&A’s storied past. New spaces for exhibitions include the Sainsbury... Read More

Radical design: Creatives at the frontline for change

Bertolt Brecht wrote: ‘Art is not a mirror held up to reality but a hammer with which to shape it.’ I grew up surrounded by politics. Raised in Iran at the height of its turbulent years, it was impossible not to be. Later, as an adolescent cocooned in the sanctuary of Europe, I rejected it all for I saw my life in the creative world where politics, seemingly, had... Read More