Highlights from London Design Biennale 2018

‘Emotional States’ sets the theme for the 2018 London Design Biennale with Somerset House once again forming the brilliant backdrop to installations conceived by architects, designers and artists from six continents. The responses are varied. Apart from a handful of pavilions seemingly concerned with pleasing the instagram crowd, most others have responded with emotion... Read More

Driving towards the progressive future

This is an exciting time to be involved in the car industry. As the new chapter in the story of the automobile unfolds, it faces and, to some extent, embraces fundamental changes. Despite some cynicism and a degree of denial amongst hard-edge traditionalists, changes are happening and the general reaction is positive. It is hard not to find parallels with the murky world of... Read More

Sou Fujimoto speculates future architecture at Japan House London

‘Creating architecture is like planting seeds of the future,’ according to Sou Fujimoto. The architect’s ideas for the future are speculative. He does not believe in offering a concrete vision, but rather open a conversation on the potentials of buildings, civic, commercial or residential, in shaping our future. This philosophy forms the basis of a fascinating show and... Read More

Radical Essex: A complex county of raw beauty and modernism

‘Essex is neither part of East Anglia, nor one of the Home Counties; it contains both radical and conservative elements, and is therefore open to all possibilities,’ writes architectural critic Ken Worpole in Radical Essex. Sitting on the edge of east London, a rural refuge for much of the cockney diaspora, it certainly gets its fair share of crude stereotyping,... Read More

Serpentine Pavilion 2018 by Frida Escobedo

This is the 18th Serpentine Pavilion, the temporary installation appearing each summer in London’s Kensington Gardens. It is the work of Frida Escobedo, a complex and fascinating architect with a small studio in Mexico concerned with reactivating urban spaces. In Hyde Park, her practice imagines a courtyard of light, water and geometry. It takes the form of an enclosed... Read More

MINI Living and Studiomama propose a micro-city in Milan

This is the latest in the MINI Living series, exhibited in Milan as part of Salone del Mobile and Fuorisalone. The project investigates how a new approach to design can improve urban life and, in the process, examines how the marque can evolve from being simply a car brand. The idea is to collaborate with various architects – different voices for different projects. For... Read More

Marvin Rand captures south California’s unique modernism

Los Angeles was a kind of utopian dream in the mid-twentieth century. The sunny southern Californian city had attracted an open-minded set – experimental filmmakers, independent artists, writers and patrons of design came here for it offered freedom of expression. This coupled with urban growth and industrial expansion led to a period of exceptional architectural innovation. Marvin... Read More

SOS Brutalism explores the radical movement

Simple block shapes made of raw concrete – this is how brutalism has come to be defined. Yet behind these concrete buildings – some poetic and sculptural – lay a movement with strong principles. New brutalism was controversial the moment it emerged on the architectural scene in the 1950s. It deliberately set out to be hard edged and radical. Progressive social ideals informed... Read More

2017: A year in design, cars and their intersection

It has been quite a year in design. London alone is buzzing away with creative energy – at times impossible to keep up with the number of festivals, exhibitions, talks, walks… Perhaps as a reaction to the current political and social climate, there appears to be much more open discussions around arts and ideas – platforms for encouraging wider dialogues. It got... Read More

Richard Rogers reflects on his life in architecture

‘A Place for All People’ begins in July of 1971. Narrated by Richard Rogers, it is a passionate tale of a young British architect and his friend and colleague Renzo Piano, and their sheer surprise at winning the Centre Pompidou  competition with their brilliantly left-field entry which had at its heart Rogers’ philosophy of adaptability, affordability and colour. It... Read More